REAL

Wasserfrauen auf Abwegen: Die Transformation des Rusalka-Motivs in der polnischen und russischen Popkultur

Lechner, Elisabeth and Simonek, Stefan and Tomala, Marlena (2017) Wasserfrauen auf Abwegen: Die Transformation des Rusalka-Motivs in der polnischen und russischen Popkultur. Studia Slavica Academiae Scientiarum Hungaricae, 62 (1). pp. 197-223. ISSN 0039-3363

[img]
Preview
Text
060.2017.62.1.15.pdf

Download (318kB) | Preview

Abstract

Sirens became an essential element of the literary imagination in many European literatures in Romanticism and have remained popular ever since. Also, in Russian and Polish culture, the image of the dangerously alluring and transgressive female nymph called “rusalka” is omnipresent. In this paper, the authors use a comparative approach to trace the evolution of the “rusalka” motif from its creation in the Romantic period to its transformed (and often highly sexualized) use in present-day popular culture. From works written by Pushkin, Lermontov, Mickiewicz as well as Bal’mont and Gumilev (amongst others), we move on to contemporary actualizations of the motif in the music videos and lyrics of a Russian girl group (“Фабрика”), a Polish pop performer (Doda Elektroda) and a Russian folk-metal band (“Alkonost”). We argue that the centuries-old popularity of the “rusalka” motif can be ascribed to the theme’s core semantics of female transgression and adaptability that lends itself especially well to the sphere of pop and its remixing and resignifying practices.

Item Type: Article
Subjects: P Language and Literature / nyelvészet és irodalom > PG Slavic, Baltic, Albanian languages and literature / szláv, balti, albán nyelvek és irodalom
Depositing User: László Sallai-Tóth
Date Deposited: 25 Aug 2017 10:50
Last Modified: 30 Jun 2019 23:15
URI: http://real.mtak.hu/id/eprint/60098

Actions (login required)

Edit Item Edit Item