Ottlová, Marta (2011) Probleme mit einem nationalheld. Zu Bedřich Smetanas oper Dalibor. Studia Musicologica, 52 (1-4). pp. 201-208. ISSN 1788-6244
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Abstract
Bedřich Smetana’s and Josef Wenzig’s Dalibor (1868) attempted to convey into the Czech milieu the central topic of contemporary tragic opera, i. e. the utopy of happiness achieved only in the moment of death. Coeval reports and the revisions of the opera show that a subject matter from the national history excited other expectations from the Czech musical community, and that the public desired to see an active and brave national hero. A suffering man torn by wishing revenge on one side and searching for harmony and love on the other was out of the horizon of the patriotic ideology.
| Item Type: | Article |
|---|---|
| Subjects: | M Music and Books on Music / zene, szövegkönyvek, kották > M1 Music / zene M Music and Books on Music / zene, szövegkönyvek, kották > M1 Music / zene > M10 Theory and philosophy of music / zeneelmélet, muzikológia |
| Depositing User: | xEndre xSarvay |
| Date Deposited: | 12 Oct 2017 14:58 |
| Last Modified: | 12 Oct 2017 14:58 |
| URI: | http://real.mtak.hu/id/eprint/65582 |
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