Allusion — Einschluss — Gekerbter Raum. Traditionelle Residuen bei Ligeti

Jeßulat, Ariane (2016) Allusion — Einschluss — Gekerbter Raum. Traditionelle Residuen bei Ligeti. Studia Musicologica, 57 (1-2). pp. 105-120. ISSN 1788-6244

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Abstract

Tonal residua and other remnants of older musical styles and idioms seem to be inevitably bound to Ligeti’s musical language. The numerous ways of integrating the stylistic heterogeneity in his works are extremely individual and may be seen as part of each work’s specific narrative. In his early essay about musical form, Ligeti interprets Adorno’s idea of material as a parameter of form either as congealed time or as traces of musical memory. This article aims to show the different levels and qualities of musical thought Ligeti deals with by analyzing the different layers of traditional strata in his music.

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