Sári József és a posztmodern zene születése Magyarországon (1967-1990)

Dalos, Anna (2015) Sári József és a posztmodern zene születése Magyarországon (1967-1990). Magyar Zene, 53 (2). pp. 176-186. ISSN 0025-0384


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My paper aims at sketching the process which lead József Sári (1935) to his compositional turn toward postmodern music around 1978. He begun his carrier as a representative of the modernist realm of young composers in Hungary in the 1960s. During the 70s he turned himself to different technical devices which helped him to get out from the poetical and compositional ideals of his generation. To find his own compositional way he was engaged to write character pieces following Schumann’s and Kurtág’s modell, and the experimental character of the compositions of the New Music Studio Budapest, of which his brother, László Sáry was a member, influenced him significantly as well. My analysis concentrates on the characteristics of Sári’s music, primarily on his devices which reconcile aleatory with minimal music, intellectualism with expressivity, and personal confessions with the canon technique in such pieces as Alienated qoutations (1982), Praeludium, interludium, postludium (1979), Snapshots (1981) and Scenes (1988).

Item Type: Article
Uncontrolled Keywords: Posztmodern, modernitás, Harmincasok, Új Zenei Stúdió
Subjects: M Music and Books on Music / zene, szövegkönyvek, kották > M1 Music / zene > M10 Theory and philosophy of music / zeneelmélet, muzikológia
Depositing User: Dr. Anna Dalos
Date Deposited: 27 Dec 2015 15:13
Last Modified: 27 Dec 2015 15:14

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