REAL

Recall and Repetition in Some Works by Kurtág

Grmela, Sylvia (2002) Recall and Repetition in Some Works by Kurtág. Studia Musicologica Academiae Scientiarum Hungaricae, 43 (3-4). pp. 371-381. ISSN 0039-3266

[img] Text
smus.43.2002.3-4.13.pdf
Restricted to Repository staff only until 30 June 2022.

Download (81kB)

Abstract

Kurtág's musical language contains layers of memories. The result is a music filled with reference to the musical past and present (from medieval to avant-garde, to Hungarian folk music) and to subjective life experiences. These are made obvious by the homages and dedications, the titles and the annotations slipped into the score. The fact that the music does contain layers of personal memories leads to different forms of recall or repetition: quoting works of other composers and his own; developing musical ideas or entire pieces from his mental repertoire; extending a former work by presenting each phrase in the original order and elaborating on each in turn. This paper studies the forms of repetition used in some of Kurtág's instrumental music, particularly the String Quartet, opus 28. The analyses focus on the forms of recall used and on the way in which Kurtág achieves continuity in works that at first may appear to be collages of quotations and references.

Item Type: Article
Subjects: M Music and Books on Music / zene, szövegkönyvek, kották > M1 Music / zene
M Music and Books on Music / zene, szövegkönyvek, kották > M1 Music / zene > M10 Theory and philosophy of music / zeneelmélet, muzikológia
Depositing User: Endre Sarvay
Date Deposited: 09 Oct 2017 13:13
Last Modified: 09 Oct 2017 13:13
URI: http://real.mtak.hu/id/eprint/65239

Actions (login required)

Edit Item Edit Item