Török, Ervin (2022) Remanences and Futurities : Jonathan Rozenkrantz: Videographic Cinema. DISEGNO: A DESIGNKULTÚRA FOLYÓIRATA, 6 (1). pp. 120-124. ISSN 2064-7778
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Abstract
Jonathan Rozenkrantz’s book, Videographic Cinema analyses the now obsolete medium of video from a refreshing and exciting perspective. The book focuses primarily on the emergence of analogue video images in theatrically released feature films. Rozenkrantz’s approach to the archaeology of video images is carefully balanced between the refusal of ontological idealism on the one hand (exemplified by works of André Bazin and D. N. Rodowick, among others), and on the other, the refusal of the reduction of video images to mere textual signifiers.
Item Type: | Article |
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Subjects: | P Language and Literature / nyelvészet és irodalom > PN Literature (General) / irodalom általában > PN1993 Motion Pictures / filmművészet |
SWORD Depositor: | MTMT SWORD |
Depositing User: | MTMT SWORD |
Date Deposited: | 31 Dec 2022 10:21 |
Last Modified: | 31 Dec 2022 10:21 |
URI: | http://real.mtak.hu/id/eprint/155769 |
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