Barna, Emília (2022) Between Cultural Policies, Industry Structures and the Household: A Feminist Perspective on Digitalization and Musical Careers in Hungary. POPULAR MUSIC AND SOCIETY, 45 (1). pp. 67-83. ISSN 0300-7766 (print); 1740-1712 (online)
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Abstract
This paper examines the ways in which the digitalization of the music industries has impacted the work of musicians locally, in the semi-peripheral country of Hungary. In particular, it focuses on the ways in which the work of musicians is shaped by gender relations. It aims to critique the democratization discourse of the digitalization of musical production by exploring, first, the local policy and industry context of digitalized musical labor, and secondly, the role of gender relations within the household in the labor and careers of musicians in Hungary.
Item Type: | Article |
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Uncontrolled Keywords: | digitalization; creative labor; gender; household; semi periphery; music industries; policy |
Subjects: | H Social Sciences / társadalomtudományok > HM Sociology / társadalomkutatás > HM6 Sociology of culture / kultúra szociológiája M Music and Books on Music / zene, szövegkönyvek, kották > M1 Music / zene |
Depositing User: | Dr Róza Emília Barna |
Date Deposited: | 03 Jul 2023 08:48 |
Last Modified: | 03 Jul 2023 08:48 |
URI: | http://real.mtak.hu/id/eprint/168896 |
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