Kiss, Gabriella (2024) Amikor a hiány formát ölt... Gondolatok a hazai Brecht-kánonról és a diákszínjátszás egy elfeledett műfajáról. THEATRON: SZÍNHÁZTUDOMÁNYI PERIODIKA, 18 (3). pp. 74-93. ISSN 1418-9941
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Abstract
This article aims to reread Brecht’s work by emphasising his contributions to drama education and pedagogical theory rather than viewing him in conventional terms as a cultural icon and “great practitioner” of theatre. The current study reflects on the one hand on the reconstructions of the first Brecht-premieres in Hungary—directed by Endre Gellért, Géza Pártos and Tamás Major—from this postbrechtian point of view, on the other hand, I argue that one of the most popular genres of the alternative theatre of the 1970s, the so-called ceremonial document-oratory might be described as an example of gestic acting (Gestus).
| Item Type: | Article |
|---|---|
| Uncontrolled Keywords: | Brecht, canon, socialist realism, education in theatre, ceremonial document-oratory |
| Subjects: | P Language and Literature / nyelvészet és irodalom > PN Literature (General) / irodalom általában > PN2000 Dramatic representation. The Theater / színházművészet |
| SWORD Depositor: | MTMT SWORD |
| Depositing User: | MTMT SWORD |
| Date Deposited: | 27 Jan 2025 10:37 |
| Last Modified: | 27 Jan 2025 10:37 |
| URI: | https://real.mtak.hu/id/eprint/214398 |
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