Goda, Mónika Melinda (2024) Living Objects on the Periphery of Hungarian Theatre in the Second Half of the 20th Century : Géza Balogh: The Nose, State Puppet Theatre, 1979. THEATRON: SZÍNHÁZTUDOMÁNYI PERIODIKA, 18 (4). pp. 71-78. ISSN 1418-9941
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Abstract
In the second half of the 20th century, the State Puppet Theatre emerged as aprominent national institution, offering a diverse program for both children and adults inBudapest and abroad. The founding of the Experimental Studio in the mid-1960s marked asignificant turning point in the theatre's evolution. Among its key initiatives, the series ofetude-sequences aimed to critically engagewith societal issues. One of the most notableproductions in this regard was the 1979 staging of Gogol's The Nose, directed by GézaBalogh, which incorporated innovative techniques such as Bunraku-style puppets, oversized masks, and dynamic, animated set elements.
| Item Type: | Article |
|---|---|
| Uncontrolled Keywords: | artistic puppetry in Hungary, masked pantomim, set and puppet design of Lili Ország, Experimental Studio of the Hungarian State Puppet Theatre, critical reflections on socialist ideals |
| Subjects: | P Language and Literature / nyelvészet és irodalom > PN Literature (General) / irodalom általában > PN2000 Dramatic representation. The Theater / színházművészet |
| SWORD Depositor: | MTMT SWORD |
| Depositing User: | MTMT SWORD |
| Date Deposited: | 24 Mar 2025 07:03 |
| Last Modified: | 24 Mar 2025 07:03 |
| URI: | https://real.mtak.hu/id/eprint/217167 |
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