Cadaver Imitations used in Anatomical Demonstrations: Wax Modelling in the 18th Century

Krizbai, Réka and Forrai, Judit (2020) Cadaver Imitations used in Anatomical Demonstrations: Wax Modelling in the 18th Century. KALEIDOSCOPE: MŰVELŐDÉS- TUDOMÁNY- ÉS ORVOSTÖRTÉNETI FOLYÓIRAT, 10 (21). pp. 11-24. ISSN 2062-2597

Preview

Text cikkek_3-2_krizbai_forrai_kaleidoscope_2020_21.pdf - Published Version Available under License Creative Commons Attribution Non-commercial No Derivatives. Download (1MB) | Preview

Abstract

The use of wax models has a long history associated with various connotations and practices. For centuries, models were predominantly of votive and devotional nature until the birth of anatomical wax modelling of the 18th century, when wax gained pre-eminently scientific connotations, parallel with all earlier practices. In this period, wax was found very suitable for scientific demonstrations by its plasticity through high level of naturalistic imitation. This is why it was chosen for manufacturing anatomical models, which showed contemporary knowledge about the human body in a comprehensive manner. The first centres of anatomical wax model production were established in Bologna, and then in Florence. Although such models were produced in other European countries, these two studios, especially the Florentine one, preserved its dominance, and exported models outside of Italy too. Yet there were general rules and manufactural techniques in some principles the studios showed different approaches in modelling. The Anatomical Venus, a specific genre of anatomical wax models, offered a valuable insight of reflections about contemporary ideas of female body, gender features and various connotations in a single wax object.

Actions (login required)

Edit Item