Laborde, Paul (2024) The Designer’s Standpoint: Feminist Epistemologies and Agnotology as a Road Map for Supporting Writing Practice in Design. In: P/References of Design. Cumulus conference proceedings series, 1 . Cumulus Association, Moholy-Nagy University of Art and Design Budapest, Budapest, pp. 453-465. ISBN 978-952-7549-02-5
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Abstract
This paper has a twofold objective: 1) to provide leads to explore design's epistemic potential, through standpoint epistemologies and agnotology. The former because they defend the possibility of a knowledge that is relative to a point of view, thus highlighting a pragmatic tone that fits very well with design's ambition. The latter because the acknowledgment of ignorance supports the consideration of ethical stakes thus defining more accurately the designer's position; 2) to outline a writing practice that would embody this epistemic potential and solidify design as its own science. I believe that design provides a great opportunity to produce an irreducible knowledge, grounded in a specific social situation, embracing different social dynamics that structure it. I advocate the idea that such knowledge would come to existence if designers were to integrate a "writing phase" within the design process.
| Item Type: | Book Section |
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| Uncontrolled Keywords: | epistemology, agnotology, writing practice, standpoint |
| Subjects: | H Social Sciences / társadalomtudományok > H Social Sciences (General) / társadalomtudomány általában |
| Depositing User: | Rebeka Kabai |
| Date Deposited: | 18 Nov 2025 15:11 |
| Last Modified: | 18 Nov 2025 15:11 |
| URI: | https://real.mtak.hu/id/eprint/229302 |
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