Sumyat, Swezin (2025) Pop and Postfeminism: Female Dandyism in Popular Music by Nathalie Weidhase, Bloomsbury Academic, London, 2024. PÁZMÁNY PAPERS, 3 (1). pp. 188-191. ISSN 3004-1279
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Official URL: https://doi.org/10.69706/PP.2025.3.1.13
Abstract
Nathalie Weidhase’s Pop and Postfeminism: Female Dandyism in Popular Music (Bloomsbury Academic, 2024) examines the intersection of pop stardom, gender performance, and postfeminist discourse through the lens of female dandyism. Analyzing contemporary musicians who subvert traditional femininity with androgynous aesthetics and rebellious personas, Weidhase explores how these artists negotiate power, identity, and consumer culture.
| Item Type: | Article |
|---|---|
| Subjects: | H Social Sciences / társadalomtudományok > HM Sociology / társadalomkutatás |
| SWORD Depositor: | MTMT SWORD |
| Depositing User: | MTMT SWORD |
| Date Deposited: | 27 Feb 2026 13:01 |
| Last Modified: | 27 Feb 2026 13:01 |
| URI: | https://real.mtak.hu/id/eprint/235167 |
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