Reuss, Gabriella (2025) “A gauntlet thrown at the reader’s feet”. THEATRON: SZÍNHÁZTUDOMÁNYI PERIODIKA, 19 (4). pp. 62-68. ISSN 1418-9941
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Abstract
Otakar ZICH. Aesthetics of the Dramatic Art:Theoretical Dramaturgy. Prague: CharlesUniversity in Prague, Karolinum Press, 2024.476 p. This paper assesses the long-awaited English edition of Otakar Zich’s Aesthetics of the Dramatic Art: Theoretical Dramaturgy (1931), published in 2024 (General editor David Drozd, translated by Pavel Drábek and Tomáš P. Kačer). It highlights the decade-long Czech initiative to make Zich’s seminal but complex writings accessible to an international readership through the Theatre Theory Reader (2016) and related projects. The review situates Zich’s inductive, spectator-centred theory within the intellectual tradition of the Prague Linguistic Circle and early twentieth-century European performance thought. It commends the translators’ methodological clarity and the volume’s dual structure—Introduction and Afterword—for enabling critical engagement with Zich’s intricate aesthetic system, now restored as a foundational text of modern theatre theory.
| Item Type: | Article |
|---|---|
| Uncontrolled Keywords: | Otakar Zich; Prague Linguistic Circle; theatre theory; performance studies, Aesthetics of the Dramatic Art |
| Subjects: | P Language and Literature / nyelvészet és irodalom > PN Literature (General) / irodalom általában > PN2000 Dramatic representation. The Theater / színházművészet |
| SWORD Depositor: | MTMT SWORD |
| Depositing User: | MTMT SWORD |
| Date Deposited: | 09 Mar 2026 07:46 |
| Last Modified: | 09 Mar 2026 07:46 |
| URI: | https://real.mtak.hu/id/eprint/235440 |
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