Barna, Léna (2026) Elek Judit: Rómeó és Júlia, 1992. THEATRON: SZÍNHÁZTUDOMÁNYI PERIODIKA, 20 (1). pp. 62-74. ISSN 1418-9941
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Abstract
The study examines Judit Elek’s 1992 production of Romeo and Juliet, presented at the Academy of Theatre Arts in Târgu Mureș, as an intercultural and political adaptation within the context of post-regime-change theatre and actor training in Transylvania. The analysis combines performance history and theatre theory methodologies, drawing on contemporary reviews, archival documents, and personal interviews, and includes a textual and performance analysis of the surviving recording of the production. The research seeks to answer how Shakespeare’s tragedy was reinterpreted in light of the problems of Romanian–Hungarian coexistence and conflict. The significance of the production lies in the fact that, from an institutional–historical perspective, it introduced a new artistic impulse into actor training in Târgu Mureș, while also highlighting the mediating role of theatre at a sensitive historical moment through the political actualisation of a classical drama.
| Item Type: | Article |
|---|---|
| Additional Information: | A szám vendégszerkesztője: Boros Kinga A szám a Magyar Tudományos Akadémia és a Studium Prospero Alapítvány támogatásával jelent meg. |
| Uncontrolled Keywords: | Judit Elek, Romeo and Juliet, Shakespeare, actor training, political theatre |
| Subjects: | P Language and Literature / nyelvészet és irodalom > PN Literature (General) / irodalom általában > PN2000 Dramatic representation. The Theater / színházművészet |
| SWORD Depositor: | MTMT SWORD |
| Depositing User: | MTMT SWORD |
| Date Deposited: | 05 Jun 2026 11:44 |
| Last Modified: | 05 Jun 2026 11:44 |
| URI: | https://real.mtak.hu/id/eprint/239541 |
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