Fekete, Norbert (2026) Egy sikerült szívátültetés : Marton Endre: Csák végnapjai, 1971. THEATRON: SZÍNHÁZTUDOMÁNYI PERIODIKA, 20 (2). pp. 81-95. ISSN 1418-9941
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Abstract
This study examines Endre Marton’s 1971 production of The Last Days of Csák through the lens of the Philther method. First, I explore how Imre Madách’s early tragedy fits within the theatrical trends of the 1960s and 1970s, a period when several Hungarian theatres sought to reinterpret and stage works from the 19th-century Hungarian dramatic canon. The Last Days of Csák emerged as a focal point of socialist realist re-canonisation efforts, as evidenced by its inclusion in the National Theatre’s 1972 celebratory week dedicated to classical Hungarian dramas. Second, I analyse the roles of three key contributors—director Marton Endre, dramaturg Dezső Keresztury, and lead actor Imre Sinkovits (portraying Máté Csák)—in shaping both the production and its cultural legacy.
| Item Type: | Article |
|---|---|
| Additional Information: | A szám vendégszerkesztői: Doma Petra, Jászay Tamás |
| Uncontrolled Keywords: | classical Hungarian dramatic heritage, realist theatre, director's theatre, canonisation, Imre Madách |
| Subjects: | P Language and Literature / nyelvészet és irodalom > PN Literature (General) / irodalom általában > PN2000 Dramatic representation. The Theater / színházművészet |
| SWORD Depositor: | MTMT SWORD |
| Depositing User: | MTMT SWORD |
| Date Deposited: | 05 Jun 2026 11:09 |
| Last Modified: | 05 Jun 2026 11:09 |
| URI: | https://real.mtak.hu/id/eprint/239556 |
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