Primmer, Adolf (2009) Akte und Spannung: Zur hellenistischen Theorie der Komödienstruktur bei Aelius Donatus. Acta Antiqua, 48 (3-4). pp. 405-432. ISSN 0044-5975
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Abstract
In Hellenistic poetics Aristotle’s description of plot structure in drama (desis — lysis) was transformed into the pattern of protasis (= acts 1 and 2: exposition and first steps of dramatic suspense), epitasis (=acts 3 to 4 med.: suspense and complications increased), catastrophe (=acts 4 fin. and 5: phase of solution). This tripartite formula can be reconstructed by tracing back its Roman adaptations from Aelius Donatus via Euanthius to Aemilius Asper. Short plot analyses of Sophocles’ King Oedipus , Menander’s Epitrepontes and Apollodorus’ Hekyra (reconstructed), and the exploration of Donatus’ analysis of Terentian comedies illustrate the way in which the poets created and varied the tasis (=suspense) pattern.
Item Type: | Article |
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Subjects: | P Language and Literature / nyelvészet és irodalom > PA Classical philology / klasszika-filológia |
Depositing User: | xKatalin xBarta |
Date Deposited: | 12 Jan 2017 11:56 |
Last Modified: | 12 Jan 2017 11:56 |
URI: | http://real.mtak.hu/id/eprint/45214 |
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