Злочевская, А. В. (2014) Многоликая Мнемозина как доминанта творческого процесса в романе В. Набокова «Дар». Studia Slavica, 59 (1). pp. 195-203. ISSN 0039-3363
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Abstract
Creative memory is the dominant feature in the writing process of Nabokov’s prose in general, and that of the novel The Gift in particular. Mnemosyna in Nabokov’s word has many faces, such as memory concrete, creative recollection, mystic-transcendental as well as cultural-reminiscential memory. The concrete memory of an event produces the illusion of lifelikeness; the rest of Mnemosyna’s hypostases weave a magic fabric of artistic endeavour. It can be observed in the specific style of Nabokov’s prose: loyalty to reality of life blended organically with fantasy and irrational-transcendental epiphanies of the artist-demiurge.
Item Type: | Article |
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Subjects: | P Language and Literature / nyelvészet és irodalom > PG Slavic, Baltic, Albanian languages and literature / szláv, balti, albán nyelvek és irodalom |
Depositing User: | László Sallai-Tóth |
Date Deposited: | 28 Apr 2017 09:12 |
Last Modified: | 28 Apr 2017 09:12 |
URI: | http://real.mtak.hu/id/eprint/51077 |
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