Perrey, Beate (2002) “Eyes Talked into Blindness”: Paul Celan and György Kurtág. Studia Musicologica Academiae Scientiarum Hungaricae, 43 (3-4). pp. 451-467. ISSN 0039-3266
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Official URL: https://doi.org/10.1556/SMus.43.2002.3-4.19
Abstract
The study discusses, through analysing György Kurtág's setting of Paul Celan's poem, extreme notions of the lyrical, especially in terms of the rendering of non-sense, noise and silence, as one of the characteristic preoccupations for post second World War continental artistic enquiry. Raises the issue of fomlesness and speechlessness, seen to determine the very structure of the works in question, as the sign for language - both poetic or musical - to be overwhelmed by the historical events associated with the Holocaust.
| Item Type: | Article |
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| Subjects: | M Music and Books on Music / zene, szövegkönyvek, kották > M1 Music / zene M Music and Books on Music / zene, szövegkönyvek, kották > M1 Music / zene > M10 Theory and philosophy of music / zeneelmélet, muzikológia |
| Depositing User: | xEndre xSarvay |
| Date Deposited: | 09 Oct 2017 13:15 |
| Last Modified: | 30 Jun 2022 23:15 |
| URI: | http://real.mtak.hu/id/eprint/65245 |
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