Žarskiene, Ruta (2003) Playing Multi-Pipe Whistles of Northeastern Europe: Phenomenon of Collective Musical Performance. Studia Musicologica Academiae Scientiarum Hungaricae, 44 (1-2). pp. 163-174. ISSN 0039-3266
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Abstract
Comparative analysis of both the construction and ways of performing of Lithuanian, Komi and Russian multi-pipe whistles reveals not only the difference existing between then but their similarities as well. The most important principle unifying these musical instruments is that the unattached pipes are used exclusively in sets and played only collectively. The number of both pipes and the performers is alike. The distribution of Lithuanian set with respect to performing polyphonic saturnites may be related to dividing the instruments into the so-called “pairs” by the Komis and Russians.
| Item Type: | Article |
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| Subjects: | M Music and Books on Music / zene, szövegkönyvek, kották > M1 Music / zene M Music and Books on Music / zene, szövegkönyvek, kották > M1 Music / zene > M10 Theory and philosophy of music / zeneelmélet, muzikológia |
| Depositing User: | xEndre xSarvay |
| Date Deposited: | 09 Oct 2017 13:24 |
| Last Modified: | 28 Feb 2023 00:15 |
| URI: | http://real.mtak.hu/id/eprint/65261 |
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