Zvara, Vladimír (2011) Leoš Janáček und die „slawische Katharsis“. Studia Musicologica, 52 (1-4). pp. 219-230. ISSN 1788-6244
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Official URL: https://doi.org/10.1556/SMus.52.2011.1-4.17
Abstract
The expression “Slavic catharsis” was coined by Vladimír Helfert. The characterology of Slavic operatic figures may be obsolete, but his thoughts remain an interesting contribution to the history of the use of the Greek concept. Helfert intended to grasp the musico-dramatical idiom of Janáček’s operas where the element of “catharsis” is omnipresent. The work of Janáček suggests a new definition of “catharsis” in operatic music: more than a mere purification, it is to be understood as an insight in hidden truth.
Item Type: | Article |
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Subjects: | M Music and Books on Music / zene, szövegkönyvek, kották > M1 Music / zene M Music and Books on Music / zene, szövegkönyvek, kották > M1 Music / zene > M10 Theory and philosophy of music / zeneelmélet, muzikológia |
Depositing User: | Endre Sarvay |
Date Deposited: | 12 Oct 2017 14:54 |
Last Modified: | 12 Oct 2017 14:54 |
URI: | http://real.mtak.hu/id/eprint/65584 |
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