Fahrholz, Merle (2011) „Ein unglückselig Doppelwesen“. Heinrich August Marschners Hans Heiling in der Debatte zur deutschen Oper. Studia Musicologica, 52 (1-4). pp. 323-339. ISSN 1788-6244
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Official URL: https://doi.org/10.1556/SMus.52.2011.1-4.23
Abstract
In most opera manuals Heinrich A. Marschner receives but common-place epitheta like German composer — intermediary between Weber and Wagner — advocate of a national opera. To which extend does this point of view originate in consciously launched and passed-on notions? Regarding the opera Hans Heiling (1833), Marschner’s history of reception will be examined exemplarily.
| Item Type: | Article |
|---|---|
| Subjects: | M Music and Books on Music / zene, szövegkönyvek, kották > M1 Music / zene M Music and Books on Music / zene, szövegkönyvek, kották > M1 Music / zene > M10 Theory and philosophy of music / zeneelmélet, muzikológia |
| Depositing User: | Endre Sarvay |
| Date Deposited: | 12 Oct 2017 15:09 |
| Last Modified: | 12 Oct 2017 15:09 |
| URI: | http://real.mtak.hu/id/eprint/65591 |
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