Büky, Virág (2012) Bartók’s heiress. Studia Musicologica, 53 (1-3). pp. 187-198. ISSN 1788-6244
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Abstract
In her book about Bartók’s American years Agatha Fasset recalls the composer attesting to his second wife Ditta Pásztory that her piano playing “comes to the nearest of all” to his own style admonishing her “to preserve this style, keep it alive, keep it going.” Pásztory’s discography (containing recordings from the 1960s) testifies that she took Bartók’s assignment seriously. The first part of this paper gives a short description of Pásztory’s formative years as a pianist and her long apprenticeship under Bartók’s guidance. The second part, analysing a few of her recordings will attempt to find out how she succeeded in preserving Bartók’s manner of performance.
Item Type: | Article |
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Subjects: | M Music and Books on Music / zene, szövegkönyvek, kották > M1 Music / zene M Music and Books on Music / zene, szövegkönyvek, kották > M1 Music / zene > M10 Theory and philosophy of music / zeneelmélet, muzikológia |
Depositing User: | Endre Sarvay |
Date Deposited: | 16 Oct 2017 12:11 |
Last Modified: | 16 Oct 2017 12:11 |
URI: | http://real.mtak.hu/id/eprint/65614 |
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