Helbing, Volker (2016) Konzert als Groteske — Anmerkungen zum ersten Satz des Violinkonzerts. Studia Musicologica, 57 (1-2). pp. 139-160. ISSN 1788-6244
![]() |
Text
6.2016.57.1-2.10.pdf Restricted to Repository staff only until 30 June 2036. Download (405kB) |
Official URL: https://doi.org/10.1556/6.2016.57.1-2.10
Abstract
The grotesque and the theatrical, as essential facets of Ligeti’s oeuvre, become more evident in his Violin Concerto than in most of his works from the 1980s. The analysis shows how these facets find expression on different levels of the composition — from the harmonic and rhythmic pre-settings over the compositional detail to the individual interpretation of the Violin Concerto as a genre and the formal dramaturgy.
Item Type: | Article |
---|---|
Subjects: | M Music and Books on Music / zene, szövegkönyvek, kották > M1 Music / zene M Music and Books on Music / zene, szövegkönyvek, kották > M1 Music / zene > M10 Theory and philosophy of music / zeneelmélet, muzikológia |
Depositing User: | Endre Sarvay |
Date Deposited: | 16 Oct 2017 12:29 |
Last Modified: | 16 Oct 2017 12:29 |
URI: | http://real.mtak.hu/id/eprint/65768 |
Actions (login required)
![]() |
Edit Item |