Haselböck, Lukas (2016) Beobachtungen zum Verhältnis von Klangfarbe, Raum und Zeit bei Ligeti. Studia Musicologica, 57 (1-2). pp. 61-72. ISSN 1788-6244
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Official URL: https://doi.org/10.1556/6.2016.57.1-2.5
Abstract
The notion of sound (Klang) has been discussed intensely during the last 200 years. Similarly, in the writings of György Ligeti, timbre (Klangfarbe) is one of the crucial terms. The aim of this text is to reconsider the role of timbre and the relationship between timbre, space, and time in Ligeti’s music. With an analysis of Atmosphères and the first movement of the Piano Concerto, the discussion also includes two further important notions: process and threshold.
| Item Type: | Article |
|---|---|
| Subjects: | M Music and Books on Music / zene, szövegkönyvek, kották > M1 Music / zene M Music and Books on Music / zene, szövegkönyvek, kották > M1 Music / zene > M10 Theory and philosophy of music / zeneelmélet, muzikológia |
| Depositing User: | Endre Sarvay |
| Date Deposited: | 16 Oct 2017 12:51 |
| Last Modified: | 16 Oct 2017 12:51 |
| URI: | http://real.mtak.hu/id/eprint/65777 |
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