Kutschke, Beate (2016) Zwischen Heroismus und Antiheroismus Ligetis Mikropolyphonie in 2001 revisited. Studia Musicologica, 57 (1-2). pp. 73-90. ISSN 1788-6244
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Abstract
This article re-investigates the use of Ligeti’s second movement of his Requiem “Kyrie” (1963/1965) in Stanley Kubrick’s 2001 — A Space Odyssey (1968). It does so in light of allusions to heroic models and the – obviously – heroic Zarathustra fanfare, both of which are pervasive in Kubrick’s film. The article aims at determining compositional means that refer to heroic ideas in avant-garde music of the 1960s, a time period in which radically new and skeptical views of heroism came to the fore that also affected the articulation of the heroic in music.
Item Type: | Article |
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Subjects: | M Music and Books on Music / zene, szövegkönyvek, kották > M1 Music / zene M Music and Books on Music / zene, szövegkönyvek, kották > M1 Music / zene > M10 Theory and philosophy of music / zeneelmélet, muzikológia |
Depositing User: | xEndre xSarvay |
Date Deposited: | 16 Oct 2017 12:49 |
Last Modified: | 16 Oct 2017 12:49 |
URI: | http://real.mtak.hu/id/eprint/65778 |
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