Kókai, Károly (2017) The evidence of the avant-garde film. Hungarian Studies, 31 (1). pp. 39-46. ISSN 0236-6568
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Abstract
The Hungarian neo-avant-garde appeared in such diverse artistic fields as fine art, conceptual and visual literature, happenings, theatre performance and film. For the avant-gardists Tibor Hajas, Miklós Erdély and Tamás Szentjóby, film was both a theoretical and a practical issue. There are films documenting avant-garde activities, and there are films that are truly avant-garde. Thus, the field of film seems to provide a considerable amount of material through which scholarship can evaluate the Hungarian neo-avant-garde. This paper discusses how the evidence of film fits the interpretation of the Hungarian neo-avant-garde as belonging to the “second public”, as part of cultural opposition, and as something forbidden.
| Item Type: | Article |
|---|---|
| Subjects: | H Social Sciences / társadalomtudományok > H Social Sciences (General) / társadalomtudomány általában |
| Depositing User: | László Sallai-Tóth |
| Date Deposited: | 18 Dec 2017 09:09 |
| Last Modified: | 30 Jun 2019 23:16 |
| URI: | http://real.mtak.hu/id/eprint/71106 |
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