Lukács, István (2003) Poetična funkcija srednjoistočno europskih parodija i travestija u 19. stoljeću. Studia Slavica, 48 (1-3). pp. 181-188. ISSN 0039-3363
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Abstract
The birth of the 19th century literary parodies and travesties falls on the moment of transition from the romanticism to the realism. In the present paper I deal with the problem, whether Hungarian Sándor Petőfi, Slovenian Simon Jenko and Croatian Ante Kovačić's works have served the conservation of the already existing literary canons and poetic discourses or, on the contrary, became examples of a central evolutionary genre, which have put an end to the romantic conception of the literature helping realistic prosaic formations to gain ground radically. Another interesting problem is that in these works besides the poetic transition a strong manifestation of individual poetism and that of several political problems of the authors' time can be found.
Item Type: | Article |
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Subjects: | P Language and Literature / nyelvészet és irodalom > PG Slavic, Baltic, Albanian languages and literature / szláv, balti, albán nyelvek és irodalom |
Depositing User: | xEndre xSarvay |
Date Deposited: | 11 May 2018 08:58 |
Last Modified: | 31 Jul 2023 23:15 |
URI: | http://real.mtak.hu/id/eprint/79630 |
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