Ferenczi, Ilona (2017) Spuren organaler Mehrstimmigkeit in Ungarischen einstimmigen melodien. Erkenntnisse aus gesangbüchern des 16.−18. jahrhunderts. Studia Musicologica, 58 (1). pp. 3-14. ISSN 1788-6244
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Abstract
Among the European countries, Hungary had the richest corpus of plainchant in vernacular in the 17<sup>th</sup> century. The complete liturgy was put down with a musical notation for the first time in Gál Huszár’s songbook (1574). The Eperjes Gradual (1635) acquired a special position among the Protestant graduals in Hungarian by being the only Lutheran gradual and the only one containing polyphonic pieces. A comparison of the Magne Deus-melody in both sources concludes that the differences of the two monophonic melodies can be interpreted as reminiscences of an organum-like polyphonic practice. This hypothesis is sustained by a series of examples including not only melodies of Gregorian origin but also Hungarian-texted monophonic hymns from the 16th to the 18th centuries.
| Item Type: | Article |
|---|---|
| Additional Information: | MTA KFB támogatási szerződés alapján archiválva |
| Subjects: | M Music and Books on Music / zene, szövegkönyvek, kották > M1 Music / zene M Music and Books on Music / zene, szövegkönyvek, kották > M1 Music / zene > M10 Theory and philosophy of music / zeneelmélet, muzikológia |
| Depositing User: | Violetta Baliga |
| Date Deposited: | 08 Oct 2018 13:53 |
| Last Modified: | 31 Mar 2019 00:16 |
| URI: | http://real.mtak.hu/id/eprint/86649 |
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