Halász, Péter (2002) On Kurtág's Dodecaphony. Studia Musicologica Academiae Scientiarum Hungaricae, 43 (3-4). pp. 235-252. ISSN 0039-3266
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Official URL: https://doi.org/10.1556/SMus.43.2002.3-4.3
Abstract
After a short description of general attitude toward serialism in Hungary in the 1960s a detailed analysis of serial procedures in movements II and V of György Kurtág's StringQuartet, op. 1 is given. Differences between handling 12-tone aggregates and rows, motivic connections between adjacent and non-adjacent tones, and symmetrical and non-symmetrical partitions of the row are examined. Through these means, serial parts prove to harmonise with the overall narrative context of a generally non-serial, atonal work.
| Item Type: | Article |
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| Subjects: | M Music and Books on Music / zene, szövegkönyvek, kották > M1 Music / zene M Music and Books on Music / zene, szövegkönyvek, kották > M1 Music / zene > M10 Theory and philosophy of music / zeneelmélet, muzikológia |
| Depositing User: | xEndre xSarvay |
| Date Deposited: | 09 Oct 2017 13:42 |
| Last Modified: | 30 Jun 2022 23:15 |
| URI: | http://real.mtak.hu/id/eprint/65247 |
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