Steinitz, Richard (2016) Der geborene Melodiker. Studia Musicologica, 57 (1-2). pp. 7-34. ISSN 1788-6244
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Official URL: https://doi.org/10.1556/6.2016.57.1-2.2
Abstract
This article argues that, alongside his modernist credentials, Ligeti was more than any of his avant-garde colleagues an instinctive melodist. I suggest that this underrated aspect of Ligeti’s art was temporally, but only partially, submerged by the innovative techniques of the 1960s, and in Ligeti’s later music became increasingly significant, contributing greatly to the stature, breadth and accessibility of his work overall.
| Item Type: | Article |
|---|---|
| Subjects: | M Music and Books on Music / zene, szövegkönyvek, kották > M1 Music / zene M Music and Books on Music / zene, szövegkönyvek, kották > M1 Music / zene > M10 Theory and philosophy of music / zeneelmélet, muzikológia |
| Depositing User: | Endre Sarvay |
| Date Deposited: | 16 Oct 2017 12:48 |
| Last Modified: | 16 Oct 2017 12:48 |
| URI: | http://real.mtak.hu/id/eprint/65774 |
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