Pu, Lihua (2022) Performance Perspectives in Jenő Hubay's Violin Concertos. STUDIA MUSICOLOGICA: AN INTERNATIONAL JOURNAL OF MUSICOLOGY OF THE HUNGARIAN ACADEMY OF SCIENCES, 63 (3-4). pp. 329-346. ISSN 1788-6244 (print); 1789-2422 (online)
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Abstract
Jenő Hubay (1858–1937) attained his greatest stature as the founder of the Hungarian Violin School. Although Hubay’s name is mostly mentioned in violin pedagogy, he was also a popular composer during his lifetime. He composed over 300 violin works, and his role as composer is underestimated unlike those of contemporaries such as Eugène Ysa€ye. The present paper focuses on the performance perspectives in Hubay’s violin concertos, by examining the historical background of each concerto, followed by a systematic approach to violin and musical techniques. This includes guidelines for determining tempo, dynamics/dynamic planning, bowing/articulation, tempo rubato, and portamenti/vibrato to create a style of performance appropriate to Hubay’s works.
| Item Type: | Article |
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| Uncontrolled Keywords: | Jenő Hubay, violin technique, violin concerto, Romantic period, performance practice |
| Subjects: | M Music and Books on Music / zene, szövegkönyvek, kották > ML Literature of music / zeneirodalom, zeneművek |
| Depositing User: | Beátax xBavalicsné Kerekes |
| Date Deposited: | 31 Aug 2023 11:38 |
| Last Modified: | 19 Jun 2025 23:15 |
| URI: | https://real.mtak.hu/id/eprint/172385 |
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