Genre-hibridity, Self-discovery and Trauma: Andrea Tompa's The Hangman's House

Balogh, Magdolna (2023) Genre-hibridity, Self-discovery and Trauma: Andrea Tompa's The Hangman's House. WORLD LITERATURE STUDIES, 15 (4). pp. 83-95. ISSN 1337-9275 (print); 1335-9690

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Abstract

Andrea Tompa’s novel A hóhér háza (2010; Eng. trans. The Hangman’s House, 2021) gives insight into a teenage girl’s coming of age during the last decades of the Ceauşescu regime. Recounting the story of three generations of a Transylvanian intelligentsia family, from the 1940s until the fall of the dictatorship in 1989, the novel depicts all the crucial moments of 20th-century Transylvanian history. At its crux stands a journey of self-discovery, which gains meaning in the context of the family history. This duality is reflected in the hybridity of the novel’s genre. Tompa’s work is of a hybrid genre that, in addition to the dominant presence of the autobiographical novel, encompasses elements of the Bildungsroman and the family novel. Self-discovery and family history are joined together in the protagonist’s character, as the traumatic experiences of the family past become crucial parts of the protagonist’s self-knowledge and personality through postmemory.

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