Nikitin, Boris (2025) A megbízhatatlan tanú : Tizenkét állítás a dokumentarizmusról = The Unreliable Witness: Twelve Assertions on the Documentary. THEATRON: SZÍNHÁZTUDOMÁNYI PERIODIKA, 19 (1). pp. 111-116. ISSN 1418-9941
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Abstract
In twelve theses, Boris Nikitin’s essay outlines documentary theatre in the 21st century. The text refers to the possibilities of non-fiction, but even more so to its contradictions and pitfalls. The common forms of documentary attempt to represent reality, but are never able to capture it. They often reproduce preconceived views, images, and conventions, even when they attempt to criticize or subvert them. But perhaps this is precisely why the documentary genre repeatedly rewrites reality, in both a positive and negative sense. It is emancipatory and destructive at the same time.
| Item Type: | Article |
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| Uncontrolled Keywords: | documentary theatre, reality, non-fiction, representation, subversion |
| Subjects: | P Language and Literature / nyelvészet és irodalom > PN Literature (General) / irodalom általában > PN2000 Dramatic representation. The Theater / színházművészet |
| SWORD Depositor: | MTMT SWORD |
| Depositing User: | MTMT SWORD |
| Date Deposited: | 15 Jan 2026 09:50 |
| Last Modified: | 15 Jan 2026 09:50 |
| URI: | https://real.mtak.hu/id/eprint/232083 |
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