Stoll Knecht, Anna (2024) Richard and Cosima Wagner: Singing around 1900. STUDIA MUSICOLOGICA, 65 (1-2). pp. 49-60. ISSN 1788-6244
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Abstract
Richard Wagner's theoretical writings were intended to institute a tradition of interpretation that has had a major impact on the musical world from 1870 to the present day, in Europe and in the United States. In this essay, I concentrate on excerpts concerning conducting and singing practices, highlighting their interrelation in Wagner's view. I then turn to Cosima Wagner's reinterpretation of her late husband's theories and her attempt to codify this Wagnerian tradition of interpretation, contributing to provide a reassessment of the much-debated “Bayreuth style” of performance.
Item Type: | Article |
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Uncontrolled Keywords: | Richard Wagner; historical performance practice; conducting; Cosima Wagner; Bayreuth style |
Subjects: | M Music and Books on Music / zene, szövegkönyvek, kották > M1 Music / zene |
Depositing User: | Zsolt Baráth |
Date Deposited: | 27 Feb 2025 14:29 |
Last Modified: | 27 Feb 2025 14:29 |
URI: | https://real.mtak.hu/id/eprint/216184 |
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