Jan Panonije i kulturno prevođenje

Bene, Sándor (2023) Jan Panonije i kulturno prevođenje. In: Glazba cvrčaka : Zbornik radova o mađarskoj kulturi i jeziku u čast Franciski Ćurković-Major. Bibliotheca Hungarologica Zagrabiensis (2). FFPress, Zagreb, pp. 103-111. ISBN 9789533791159

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Abstract

Janus Pannonius and cultural translation Romantic and post-romantic narratives of literary history often anachronistically incorporate the humanist literary tradition into their own nationalist narratives. Contemporary (transcultural and transnational) interpretations, on the other hand, often overcompensate for this error and, ignoring the national or regional consciousness of the humanist writers, discuss Renaissance humanist literature in terms of the cultural centre (in the case of the 15th century: Italy). The present paper will use the example of Janus Pannonius' epigram „Haec tibi Pannonicis, epigrammata mittit, ab oris…” (Janus Pannonius 2006: 222 [nr .377]) to illustrate that it is worth taking into account: in many cases, the poets of the Renaissance also reflected on the problem of centre-periphery. Janus, as a poet of the periphery, comments ironically on the process of cultural translation. In the poem, he asks his friend Galeotto Marzio to correct the Latin barbarisms in his text, while at the same time suggesting, by means of hidden allusions to antiquity, that the classical norm on which the correction is based is not eternal. As an adherent of Lorenzo Valla, he disputes the Ciceronian dogma of his time, subtly criticising his own former master, Guarino of Verona.

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