Bagdi, Réka (2025) Kortárs magyar bábelőadások Ádám és Éva-ábrázolásainak elemzése művészettörténeti szempontból. THEATRON: SZÍNHÁZTUDOMÁNYI PERIODIKA, 19 (3). pp. 64-89. ISSN 1418-9941
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Abstract
In this analysis I will write about Adam and Eve’s iconography, and how it is represented in two plays of Imre Madách’s The Tragedy of Man. In the first half there is a timeline, that starts from the early Christian era and extends to contemporary art. I analyse art pieces from different centuries and compare them to each other. The second half is about the two plays, concentrating on the puppets themselves and their resemblance to their counterparts in fine arts. At the end I arrive at the conclusion that the plays do not really take the iconography into consideration.
| Item Type: | Article |
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| Uncontrolled Keywords: | puppet, puppet theatre, Adam and Eve, iconography, Imre Madách, The Tragedy of Man Támogatóink |
| Subjects: | P Language and Literature / nyelvészet és irodalom > PH Finno-Ugrian, Basque languages and literatures / finnugor és baszk nyelvek és irodalom > PH04 Hungarian language and literature / magyar nyelv és irodalom P Language and Literature / nyelvészet és irodalom > PN Literature (General) / irodalom általában > PN2000 Dramatic representation. The Theater / színházművészet |
| SWORD Depositor: | MTMT SWORD |
| Depositing User: | MTMT SWORD |
| Date Deposited: | 17 Feb 2026 12:27 |
| Last Modified: | 17 Feb 2026 12:27 |
| URI: | https://real.mtak.hu/id/eprint/234440 |
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