Kálmán, Mária (2020) Leonora Tükörországban : Claus Guth Fideliorendezésének pszichoanalitikus olvasata. THEATRON, 14 (3). pp. 56-70. ISSN 1418-9941
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Official URL: http://doi.org/10.55502/the.2020.3.56
Abstract
In 2015, the German director staged Beethoven’s Fidelio at the Salzburg Festival. Guth’s intertextual interpretation rethinks the meanings of prison and of Hades, of the underworld, for the 21st century. The paper seeks theoretical reference points for a more nuanced reading of this interpretation of Fidelio, and highlights above all the influence of Jean Cocteau’s and Robert Wilson’s work, in addition to various cinematic and theatrical allusions.
| Item Type: | Article |
|---|---|
| Subjects: | M Music and Books on Music / zene, szövegkönyvek, kották > ML Literature of music / zeneirodalom, zeneművek P Language and Literature / nyelvészet és irodalom > PN Literature (General) / irodalom általában > PN2000 Dramatic representation. The Theater / színházművészet |
| SWORD Depositor: | MTMT SWORD |
| Depositing User: | MTMT SWORD |
| Date Deposited: | 26 Aug 2022 14:40 |
| Last Modified: | 31 Mar 2023 08:43 |
| URI: | http://real.mtak.hu/id/eprint/146986 |
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